Redheads Olivo barbieri what is left

what is left

portraits of individuals and couples

the traditional Japanese gate most commonly found at the entrance of a Shinto shrine

So the black and white photographs in this book comprise a series of subject groupings which

Redheads Olivo barbieri what is left2022 Damiani edition in new condition, signed by Joel Meyerowitz to a sticker tipped in to the title page. It was in 1978, during my first summer of making portraits while using an 8x10 inch large format camera, that I found myself drawn to photographing redheads. I have often been asked; why redheads, and Ive often felt it was because in summer redheads seem to bloom in the sun more gloriously than the rest of us. But it also might have been my